Dr. Strangelove’s Chocolate Factory

Yesterday I wrote about chocolate. The cool thing about Choclatique is it’s run by the self-proclaimed “Dr. Strangelove of chocolate,” Ed Engoron, who I can only imagine learned to stop worrying and love the bonbon. Choclatique combines chocolate with nifty concoctions like apple pie, pineapple upside down cake, and grogg.

Naturally I had to see what’s up.

15 beautiful options, where to begin?

Don’t let the pretty pictures fool you, this will be some of the most interesting chocolate you put in your mouth. Next time you’re in LA, give them a call, or have them ship you a box of eight or fifty.

That’s what I call an investment in good taste. You can read all about it at The Chocolate Tourist blog.

Receiving Critique

Whether they’ve been asked for it or not, most people when confronted with a creative work of obscure origins will give an emphatic opinion about it. I’ve experienced this multiple times, and so have you.

“I thought it would be better.”

“Maybe change the beginning so it takes place in Africa.”

“Make it funny.”

All of which are actual notes that I have received from real people who read my writing.

Thankfully, I’ve also been blessed with readers who give notes that are actually helpful. The thing is, between the helpful stuff and the unhelpful thoughtless stuff and the amazing completed stuff there lies a Great Wasteland of Indecision.

Today I would like to consider some strategies for crossing that wasteland and coming out the other side – as a better writer with a better script. I want to consider these strategies today, because today I am a lonely writer plodding through the parched, pathless sand. And I need to remember what the heck for.

So in no particular order, I give you these…

Possibly Helpful And At The Very Least Completely Innocuous Thoughts:

1. Be indecisive and okay with it

When I’m fresh off a rough draft high, it’s tough to hear that it’s not good enough. Even though I know this, I’ve been anticipating it even before Fade Out, it’s still a thing to be processed emotionally and intellectually. At first, you will have no idea where to go with these constructively critical responses. You will just have to stare at the wall for awhile and let it sink in.

I don’t know if anyone can relate to this, but when I finish a draft or a revision, I honestly feel like it’s the best I can do. So when the inevitable feedback comes, it’s like: I can’t. I can’t make it any better than it is, because this is my best.

But of course you can. I can. It just doesn’t feel that way at first.

2. Try not to listen to the voices of darkness

As if we don’t have enough inner chatter, between characters and plot shenanigans and the angsty inner story every writer is really trying to tell, our doubts and fears want to point out a few things too. It gets super noisy.

So do what you gotta do to boost confidence, quiet unease, and quit comparing yourself to others, but know that the noise will probably never disappear altogether and that’s okay. It’s normal. We all have it.

Of course if you are successful at ditching the voices altogether, then that is really neat.

3. Make two piles

Keep and reject. Of the comments I received on my script, which ones resonated with me (whether I like it or not) and which ones do I completely disagree with?

Some feedback will hit home. I know it’s true, even if I have no clue where to begin implementing it. Other feedback is just not connecting for me, no matter which angle I view it from, and when that happens I think we are totally fine to disregard it.

Or, if you’re like me and just have to believe that everyone in the world sees something useful that you don’t: try to get to the spirit of the critique. If someone feels my protagonist lacks motivation in Act 1, and I can’t seem to add anything that works for me, then maybe something else in Act 1 needs to go.

See, this is why revisions are exhausting. But worth it. Probably.

But whatever changes I make, I know that I as the writer am responsible for them. So I’m not making any changes I don’t feel in my gut are working for me. And I don’t think that’s arrogance, it’s just being real about the story I’m trying to tell. And no one else really knows what I’m shaping in my head – it’s up to me to bring it out and show them.

4. Don’t give up

As I write and rewrite, I have to keep connecting with the core of the story – whatever fascinated me with it in the very beginning. Whether it’s a character flaw or a curious world, I need to keep enthralling myself with that basic element. Otherwise I get lost.

The fun stuff is what keeps me oriented, keeps me telling the story I set out to tell.

And with any luck, after all the critique and deep dark questioning and sweating blood, we end up with an even better, clearer, more compelling version of that idea nugget than we ever thought we could write.

Onward we trudge, faithful screenwriters! For we shall cross the Wasteland of Indecision and reach the Promised Land of a Finished Screenplay. Keep hope alive.

Follow my blog with Bloglovin

How To Write An Amazing Movie

Dear people,

Advice from established writers can be… tricky.

On the one hand, these are the wise who have gone before – I should lap up their shining words like so many drops of water from the fountain of youth.

On the other hand, do I really want more voices in my head telling me what I’m doing wrong and offering guidelines for being better?

When confronted this morning with yet another list of verbal gems from established Hollywood, I intended to bypass it and carry on with my writing. Blithely complying with the oft-repeated wisdom of the wise who have gone before, to simply write. “Writers write.” End of story.

I really needed some fresh enthusiasm though, so I clicked.

Just for a quick skim.

Within seconds I realized what I was reading was not simply the same wise words and inspirational quips that never fail to drive traffic and sell ads. These are stories from real people who struggle with real writing the way I am really struggling with it now. Little fizzes of awakening started zapping through my body, like instinct was meeting experience and being validated. In a way that I really need to be validated at this particular point in my career.

In a way that makes me want to write.

Stories like this one from the writer of Please Give and Enough Said.

Nicole Holofcener: I used to do [note cards], and it really just fucked me up. It would sort of kill the fun, and it would make me realize that I didn’t know how to structure a screenplay. Or I didn’t have the answers that you’re supposed to have when you outline a script, and I figured out somehow that I didn’t need to have the answers. And I would just start writing and see what happens, and usually, what happens is a mess, but a fixable one, and that’s kind of how I start.

Yes! Me too! I keep doing note cards because that is what we’re supposed to do, but maybe it is killing my fun. Maybe I need to come up with a way to do this that is fun for me.

It’s a relationship. Of the long-term variety.

Right? I mean honestly, does this not make sense?

I hope you will read and be encouraged by the rest of the article. Good stuff.

Let’s keep going.

California Bound

What an undertaking it once was to migrate in America. A trip out west used to be a major ordeal fraught with danger, death, disease, robbery, and even barring any of those difficulties, it certainly involved sacrifice of life-changing proportions.

Nowadays I can buy a plane ticket Wednesday, pack a bag Thursday, and five hours later I’m in Los Angeles. And the worst thing that happened was the airport food.

courtesy of noirbabes.com

But I think the experience of venturing from home and familiarity to parts unknown is still similar. Granted, the pioneers made a choice for life, no turning back. But the decision to swap coasts has certainly become a defining one in my life. You see, I’m going to live here. Soon.

Today I’m flying. The countdown to my cross-country move is at four weeks, two days and ticking down each moment.  So I go briefly to scout the territory. To seek friendly waters, a safe haven, and opportunities to make my living as a screenwriter in the great Wood known as Holly.

Tomorrow I’ll be volunteering all day at the Biola Media Conference, which will be a fun opportunity to rub shoulders with other entertainers and make some friends in my new neighborhood. I’m really excited because I get to work the registration desk, which I’ve always wanted to do.

Then Sunday to Wednesday is all about finding a church, apartment-hunting, meeting friends and making industry connections. All in four days. Overbook much?

Meanwhile I write! I write in the airport and on the plane. I run into the airport convenience mart to buy markers because I somehow failed to pack a pen in my carry-on bag. Notebook, yes. Anything to write with, no.

I write on the metro. I write in the hotel. I write on the back of a receipt while I wait to pick up my dinner order. I write every spare moment, because that is what I do. That’s why I’m leaving a comfy life in Virginia to pioneer my own little corner of California. Writing is what I want to do in this new stake I’m claiming on the other side of normal.

I’ll let you know how it goes.